Jäger, is a highly crafted new typeface from Violaine & Jérémy It's now available is two two weights, bold and regular - plus a bunch of amazing ligatures. Jäger is described as a tribute to fine craftsmanship. The typeface is directly influenced by traditional techniques mastered by craftsmen.
As many of you will know I've been a huge fan of the typography and font design of Violaine & Jérémy. I follow their work with a sense of excitement because whenever they release something new it's usually amazing. The new typeface Voyage is no exception, it's bespoke and highly crafted letterforms will grace any project, I hope you enjoy discovering it as much as I did. You can test drive and buy the font from the link below - make sure you support their work as there's not many designers who can deliver what these two do.
Anthony James is a typographer and graphic designer based in the UK. He recently released this project called Alphabetica. The project uses graphic illustration to bring letter forms to life. The playfully constructed letterforms turn each piece into a stand alone art form that would grace any gallery. Take a look at more of his work on Behance.
For a while I've been wanting to showcase the full alphabet set of the new Love typeface. As mentioned in a previous post the font was designed in 2018 in Paris by Jérémy Schneider - the typeface is a beautiful blend of contrasting elements, characterised by its big counter-forms and thin stems. Take a look at all the font forms below, both light and dark backgrounds have been included. Perhaps some of the most exciting parts exist in the special characters, the '@' symbol and '&' are superb and worth checking out.
VJ Type recently created this fantastic new custom font for Welcome to the Jungle magazine. The typeface has 4 weights and italics. The stylised upper letter forms have a number of clever customised curves. This create some truly bespoke personality, just take a lot at the editorial layout designs below.
Iceberg is an editorial publication produced for KAE. The publication is itself balances both content, layout and typography in a powerful way. The purpose of the newspaper was to act as a voice for KAE to communicate opinion, discoveries and achievements, while establishing a tone of quality not usually achieved in a standard newsletter or online blog format. The result is a highly designed, informative and visually enjoyable piece of work. With the proliferation of digital content (such as this site!) it's a welcome relief to see such a stunning piece of printed work.
This stunning 100th anniversary book was created for Lenz & Staehelin (one of the leading Swiss law firms) by graphic design agency Raffinerie. The book covers many of the events that impacted the company over that time. It's divided into six chapters and shows how the company has transform over a century. The focus is always on the employees, who shape the book, but also the law firm, with their contributions, photographs and impressions. It's a stunning typographic piece that will look as good in another 100 years.
The Violaine & Jérémy studio recently launched a fantastic new font offer - the VJ-Type foundry. Violaine & Jérémy specialise in design, typography and font creation, and recently committed to started a bespoke type foundry. Many of the fonts now available for license are custom fonts they produced for commercial projects already delivered.
Regal Finesse Pro is an exceptional typeface designed by Panos Vassiliou as part of a typography project for Grazia magazine.
This clever piece of typography design was produced for the Russian Student Industrial Design Contest in Yekaterinburg. It was held during Innoprom exhibition as a key part of the Global Industrial Design Forum. The Forma logotype was produced by 12 Points - a small design consultancy in Russia. They specialize in corporate identity and brand design - they have a special interest developing effective complex and coherent visual design systems.
Design and branding agency Collins were given the task to create distinctive new look for the Tribeca Film Festive. The Festival needed a strong visual identity system that would assist filmmakers in reaching the broadest possible audience. It needed to enable the international film community and general public to experience the power of cinema, and promote New York City as a major filmmaking center.
These beautiful typography explorations are the latest jaw-dropping pieces of graphic design by Jérémy Schneider and Violaine Orsoni at Violaine & Jeremy. Their work is an incredible illustrative mixture of both modern and vintage styling.
I love finding and creating beautiful everyday experiences. The cover design of this simple letterpress photography diary is definitely one of those things. It's a perfect place to plan, sketch and record your photo missions. The strong use of typography and graphic design all add to the tactile experience. Simple pleasures are always the best.
If ever there was a simple design that says exactly what it does - then this is it. This incredibly minimal yet beautifully crafted visual identity plays perfectly to the needs of copywriter Mattias Jersild.